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Burning the candle at both ends, though, took its toll.
Poor Phil was to die in 1903, aged only 39 a legend within the
heady world of illustration, popular journals and club society.
Showing Off
The club needed an exhibition to tell the world
they'd arrived, and managed to organise one in their first year (1898)
at the Modern Gallery in New Bond Street. The younger artists, in particular,
sought publicity (frowned upon by Old Mother Langham) if they were to
swim in the main stream of the illustration business. The show received
glowing reviews from most of the quality papers of the day. It had contributions
from the great John Hassall, Tom Browne and Phil May, along with many
other of the big names in black and white illustration. But it wasn't
just the exhibition that was attracting attention, for the club itself
was becoming famous in bohemian society (and all those who aspired to
it), through the writings of the popular journalists who competed to be
invited as guests.
By the time of the fifth exhibition in 1900, the club was firmly established
in the art world. The public loved these shows because they were so much
more fun than the usual more conservative exhibitions.
A New Century
In 1908 Walter Fowler became president, succeeding
Tom Browne, who created the original Johnnie Walker figure in beaver hat,
quizzing glasses and riding boots, which made the whisky the biggest selling
blend in the world. It was the first year the Chelsea Arts Club Ball was
held at the Albert Hall (the very first ball the previous year was held
at Covent Garden). It was to be a golden age of illustration and cartoons.
Amongst the many artists, many of whom drew for Punch and other periodicals,
were H M Bateman, who was later to develop his famous series of cartoons
concerning the social gaffe, ''The Man Who
''; the legendary Starr
Wood; Cecil Aldin, most famous for his portrayal of dogs, horses and hunting
scenes; the brilliant Frank Reynolds.
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Interior view of the Wells Street premises, circa
1903

Invitation to Smoking Conversazione, 1904
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